Music Mondays: What I’ve Been Listening To in October
(10/19/20 2:05pm)
Editor's Note: The views and opinions expressed in this article do not reflect those of The Collegian.
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Editor's Note: The views and opinions expressed in this article do not reflect those of The Collegian.
A Spiders baseball cap. A bowtie. A cello on standby.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Duke University School of Law professor Guy-Uriel Charles spoke about the relationship between the U.S. Constitution and the pursuit for racial justice at 6 p.m. Monday in his Zoom lecture "We the (White) People," which was a part of the T.C. Williams School of Law's Emroch Colloquy Series.
The Princeton Review ranked the University of Richmond 10th in colleges with little race and class interaction in 2021, moving from last year's spot as fourth on the list.
Editor's Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor's Note: Mature language is used in this podcast.
In our inaugural episode, this Collegian UR podcast explores the Princeton Review's ranking of the University of Richmond as fourth among colleges with little race and class interaction within the U.S.
Editor’s note: Since Conner Evans took over for Myrsini’s Film Fridays column on April 17, here she is on Music Mondays chronicling some of her favorite records. The views and opinions expressed in this article do not reflect those of The Collegian.
Editor's Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: This review contains spoilers. The views and opinions expressed in this article do not reflect those of The Collegian.
To make room in a crowded room of pop superstars, all waxing and waning erratically, all talented and with endless resources at their disposal, a young artist needs a superpower.
A few weeks into January, the album release slates for each week start getting fuller, more surprising and more high profile. The industry’s release schedule usually peaks a few times a year, a bit different from movies where largely the best are saved for last around the holidays.
Editor’s note: This review contains spoilers.
Five albums into their punk project dubbed The Goo Goo Dolls, John Rzeznik and Robby Takac broke through. “Name” was their first big hit, and left some fans complaining that they had gone too mainstream. One fan even sent Rzeznik a letter in 1998 that started “Dear F-----,” which, he told Guitar World, was not the first time he’d been called such an awful name.
This decade, Wilco’s frontman and songwriter, Jeff Tweedy, has released five albums with the band he started 25 years ago, taken time for solo projects and an album with his son, guest starred on Parks and Rec (in the fictional band Land Ho) and written a memoir released last November. And after all that, Tweedy and company released their 12th studio album, Ode to Joy, last month, his most essential work this decade.
Kanye West's latest album, Jesus Is King, was released last Friday to the tamest reception of any Kanye solo album to date. There have been fewer headlines, fewer conversations among casual rap fans and fewer tweets. People are finally taking Kanye less seriously, even as he turns his music toward the power of salvation.
"Remembering the Rockets" starts in the middle of a familiar cycle. “The cars come by your house / It’s Friday night again,” and just like that and with a denser wall of guitars than Strange Ranger has known before, they’ve baked “Leona” in a nostalgic haze.
Oso Oso’s one-man-show Jade Lilitri is singing about himself this time around.
Taylor Swift is having fun again on "Lover," and in a way that feels much more natural than "Reputation."