Music Mondays: What I’ve Been Listening To in October
(10/19/20 2:05pm)
Editor's Note: The views and opinions expressed in this article do not reflect those of The Collegian.
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Editor's Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
A Spiders baseball cap. A bowtie. A cello on standby.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor's Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor's Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor's Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s note: Since Conner Evans took over for Myrsini’s Film Fridays column on April 17, here she is on Music Mondays chronicling some of her favorite records. The views and opinions expressed in this article do not reflect those of The Collegian.
Editor's Note: The views and opinions expressed in this article do not reflect those of The Collegian.
I sit in the sunny spot of my couch, my television showing what appears to be a warehouse in black and white. Long periods of silence. Intermittent spurts of ambient, highly reverberated music. A figure moving nonchalantly in and out of perfectly still frames. Infuriating anticipation building each second.
Editor's Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor's Note: The views and opinions expressed in this article do not reflect those of The Collegian.
International Women’s Day is coming up on Sunday, March 8, and Music Mondays is celebrating by highlighting women in music. Here are five new tracks stretching across punk, pop and indie rock genres to add to your spring break playlists.
King Krule has a lot of gifts that are hard to come by. The project’s red-headed leading man, Archy Marshall, stands so thin I’m always a little worried his guitar might eat him alive, and yet he bellows with an English-accented baritone that can rattle walls and seep its way inside your skull.
Editor's note: This article is part of the University of Richmond Parson's Music Library staff blog series, Arachnophonia.
To make room in a crowded room of pop superstars, all waxing and waning erratically, all talented and with endless resources at their disposal, a young artist needs a superpower.
A few weeks into January, the album release slates for each week start getting fuller, more surprising and more high profile. The industry’s release schedule usually peaks a few times a year, a bit different from movies where largely the best are saved for last around the holidays.
The first thing Javier Rogers did when he was released from the Richmond city jail in October 2019 was get a coffee from Starbucks. Then he went home.
Five albums into their punk project dubbed The Goo Goo Dolls, John Rzeznik and Robby Takac broke through. “Name” was their first big hit, and left some fans complaining that they had gone too mainstream. One fan even sent Rzeznik a letter in 1998 that started “Dear F-----,” which, he told Guitar World, was not the first time he’d been called such an awful name.
The enigmatic cult icon Frank Ocean is finally back with some new content for the first time in a while. As he had done in the past with new singles such as “Biking,” “Chanel” and “Slide,” Ocean played his latest singles, “DHL” and “In My Room,” as the last song during his Beats1 radio show, blonded RADIO, with “DHL” being released on Oct. 19 and “In My Room” being released on Nov. 2.